Elliot Nicely’s Small Worries

these small worries . . .
wave upon wave,
the ocean
collapsing
beneath itself

(Presence, #58, 2017)

© Elliot Nicely (USA)

A very well-crafted tanka that shows a relationship between our feelings and ocean waves. The opening line “small worries” takes us to our daily activities, where we constantly pass through a lot, and which lets our mind and heart oscillate between logic and feelings.

The ocean here symbolizes the deep feelings and thoughts that are sometimes unfathomable, and we can’t deal with them well. Waves upon waves may be our cognitive process that keeps on filtering our thoughts to find out some solutions based on logic. I can also see an element of ego here where a person’s worries can be related to his/her egoistic approach towards life. Waves upon waves in terms of the heart could be saying that feelings are blindfolded, and we can’t see that logic and thought dominates compassion, kindness, etc. In both cases, the worries or problems are not dealt with effectively, which may lead to destructive thoughts, poor relationships, and in the long run, poor mental and physical health.

Hifsa Ashraf (Pakistan)

Yes, small worries are but waves in our lives—they come and they go. In a moment, there are worries to think about and that give color to our mundane life. And then in the next moment, these are all gone and we’re back to our own silent and secure existence.

Willie Bongcaron (Philippines)

I like that this tanka points to the fact that we often get so wrapped up in the daily grind, that we often forget that our troubles are usually pretty minor. The ocean in the poem is a kind of reminder that each moment is new, and an issue of just the moment before can be washed away.

The word “collapsing” works well not only as an image, but also in its power. We commonly see ourselves as a linear story of a person. But in fact, we are always changing, and in each moment, we can choose to be a new individual.

Let’s talk about the punctuation a bit. The ellipsis reflects the continuous motion of the waves, and the comma allows the reader to pause a bit to imagine the waves. Also, take notice of the economy of language: no line is longer than three words, but each of them is strong and creates a stark image.

Sound is also important in this tanka. In my mind, the “s” and “o” sounds create the most prominent effects. The “s” letters seem to be making the “sss” of incoming waves, and the “o” letters appear to be mimicking the “ooo” of receding waves.

This tanka is written in a convincingly straightforward manner, but the last line surprises and allows us to introspect about how daily strifes are not so essential in the larger picture.

Nicholas Klacsanzky (Ukraine)

Did you enjoy this tanka and the commentary? Leave us a comment if you did.

japanese-waves-painting

© Dawn Hudson

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