pausing
halfway up the stair—
white chrysanthemums
© Elizabeth Searle Lamb (1917-2005) (USA)
The first thing that caught my eye about this haiku is how the juxtaposition between the two parts of the poem can create different meanings. For instance, we don’t know if the white chrysanthemums are pausing, or the narrator pausing. In any case, the dash is used to make the reader feel the pause. It is also interesting to note that the word “pausing” is a single line to allow for more of an interval for the reader.
Another aspect of this haiku that drew me in is the state of meditation it could be possibly pointing to. The narrator could be so entranced with the white chrysanthemums that she has got into a state of meditation where no thought is disturbing her mind. She is simply admiring the beauty of the flowers. Though the chrysanthemum is sometimes referred to as a seasonal reference for autumn, I don’t feel it has any significance for this haiku in particular. However, I can say that the white chrysanthemum could be a representation of the state the author is in: a blank mind, peaceful in its emptiness.
The “a” and “s” sounds in this haiku create further serenity and starkness. The long “a” sounds make for slower, meditative reading. The “s” sounds pop to make this haiku more stark. Also, looking at this poem technically, there is the right amount of words to convey the moment and mood, especially with the formatting of the lines. As I mentioned earlier, even the punctuation helps to express the meaning and atmosphere of the poem.
An entrancing haiku from the “First Lady of American Haiku.” To learn more about Elizabeth Searle Lamb and to read more of her work, visit: https://livinghaikuanthology.com/index-of-poets/livinglegacies/5938-lamb,-elizabeth-searle.html
– Nicholas Klacsanzky (Ukraine)
What do you think or feel about this haiku? Let us know in the comments.
Reblogged this on Frank J. Tassone and commented:
#Haiku Happenings #9: Nicholas Klacsanzky‘s Commentary on a classic by Elizabeth Seattle Lamb!
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