Anna Maria Domburg-Sancristoforo’s Lake Twilight

aviary-image-1517294710424Photograph by Lorena Campiotti, haiku by Anna Maria Domburg-Sancristoforo
Published in Failed Haiku, issue 28, 2018

I enjoy the mystical sense this haiku brings. With the comparison of twilight at a lake and the chasing of clouds’ silence, the reader looks through their mind’s eye to imagine a meditative experience. The poet is perhaps wanting to leave her ego behind and become one with something more primal and foundational: the silence of nature.

Twilight is a time of being between daylight and darkness—something difficult to grasp or pin down. The “chasing” of the silence that clouds contain, either by the narrator or twilight itself, is another thing of abstractness and obscurity. This is akin to the Japanese aesthetic of yugen, which suggests subtle profundity and is associated with mystery.

The structure of the poem fits the rhythm of traditional haiku well and has a clear cut marker (kireji) in the first line to bring about more complexity and a juxtaposition. The strongest sounds in the haiku are the “l”s and “i”s.  Both supply us with a lilting feeling, which in an abstract sense is like the movement of clouds.

The photograph conjures an epic scene to take in and sets the environment well. It compliments the haiku, as it does not go directly into the “chasing” part. It delivers the scene to us so we can dive more into the mind of the poet.

Nicholas Klacsanzky (USA)

The opening line of this haiku takes us to the colourful sky that can be observed at twilight. Mostly, twilight has fading colours i.e. red, purple, yellow, and blue. These fading colours reflect the colours of an aura that we have in the evening, especially at twilight. So, the lake’s twilight complements or blends with the colours of our aura. I can feel the deep silence of the lake at twilight that is due to either the migration of birds or other lake creatures, or due to abandonment. In both cases, the lake reflects the colours of twilight, as well as the mood of the person who was observing it.

Chasing silence may indicate the meditative thoughts that are closely embedded in the silence of the lake and intertwined with the colours of the sky. The narrator may have had profound experiences of seeing clouds, which may also be her ongoing thoughts (maybe chaotic), and she wants to move beyond those thoughts to finally get a peaceful mind.

This haiku beautifully presents the whole image in a subtle way, where we can observe a deep relationship among twilight colours, clouds, silence, and mood. It reveals the mystery of human curiosity to go deeper into one’s thoughts and feel the depth of subtle experiences. Overall, I enjoyed the imagery of this haiku which moved me to vividly experience a lake twilight.

Hifsa Ashraf (Pakistan)

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Goran Gatalica’s Tadpoles

starlight —
the tadpoles vanish
in a blurry pond

Goran Gatalica (Croatia)

Under the Basho, (modern haiku), March 2019

This haiku resonates with the things that don’t get a lot of importance in our lives. The opening line ‘starlight’ symbolizes two aspects in the context of this poem.

– It glows but remains unnoticed, especially when the stars are far away from the earth.

– A light dot that is mysterious in many ways.

The tadpoles depict the initial stages of life when things remain insignificant and mysterious, like the tiny stars that are in fact huge.

The blurry pond may symbolize our limited vision and perception of not seeing things beyond their looks. We don’t go into the depth of things that look small in shape and size.

The starlight and tadpoles in a blurry pond lose their impact and significance once they lose their reflection.

Hifsa Ashraf (Pakistan)

This is one of those haiku that takes us by surprise with its juxtaposition. At first, we might be puzzled by the comparison or contrast being made.

Starlight can take many light years to travel into our view. Also, if we look directly at a distant star, due to it being so far and surrounded by darkness, it can escape our vision after a while.

This all might relate to tadpoles vanishing in a blurry pond. Tadpoles are very small and are hard to spot in a body of water, like stars in the sky. We can easily lose track of them. Plus, the next time we see the tadpoles that we saw before, they might have grown up as a frog or toad. This length of time connects to the duration it takes starlight to travel into our perception.

In another way, the haiku could be presenting a contrast. Tadpoles are larvae and new to life, whereas starlight may be luminescence from a star that has already died. Yet, the shape of a tadpole and starlight are very similar. So, the aesthetic of “as above, so below” in Japanese poetry is demonstrated.

There is a lot of sound in this poem to notice, though it is small. Check out how each line has “l” sounds. There is also a prevalence of “r”s and “p”s. Not only does this make the haiku more musical and a joy to read, but these consonants give the reading more weight.

The format works well, which has the standard pacing of English-language haiku. The dash in the first line gives a clear cut between the two parts of the poem, allowing the reader to easily see a juxtaposition is being made.

Overall, this is a subtle haiku that can swing from being a comparison to contrast in imagery, which can bring about the feeling of connection between mundane life and the cosmos.

Nicholas Klacsanzky (USA)

If you enjoyed this haiku and commentary, let us know in the comments.

gieorgia-night-sky

– “Starlight Night” by Georgia O’Keeffe

Christina Sng’s Hospital

pale against
the hospital pillow
winter snow

Christina Sng (Singapore)

There are times when we are down due to an illness or disease, where everything around us looks dysfunctional and depressing. We try to relate to our feelings with our surroundings, especially the weather. We strive to console ourselves by finding out our shortcomings in the outer world.

This haiku depicts exactly that situation, where the illness of a person can be connected to winter snow as both bringing depressing thoughts and feelings.

The word ‘pale’ indicates dullness and the fragile condition of a person who is seriously ill and depressed due to his or her illness. This colour also indicates autumn, where leaves change their colours and fall down—ultimately looking pale. Here, paleness also suggests a departure or farewell due to a serious illness. A person in this state might feel as if he or she is close to death. So, the feelings of departure itself bring a lot of pain, melancholy, and depression.

Metaphorically, paleness also depicts negative emotions, where a person feels lonely and stressed out, which further suggests the poor mental health of a person.

The hospital pillow could be a metaphor for the cause of depressing and broken thoughts. Paleness against the pillow is the expression of those thoughts that a person has during a time of illness.

Winter snow, especially when someone projects his or her feelings on it, becomes a source of annihilation, a passive mindset, or negativity. It brings life to an end by slowing down the system of both the inner and outer worlds. It gives deep silence and melancholy where a person feels more close to his or her self and cannot avoid all the memories and traumatic events that have happened in his or her life. It brings coldness that turns down positive energies, especially will power.

Overall, it’s all about the deterioration of life’s processes, whether it’s nature or our body.

Hifsa Ashraf  (Pakistan)

The image in this haiku is intriguing. We are not told if the pillow is outside and snow is falling on it, or that the reflection of snow from a window or elsewhere is shown on the pillow. Or, the poet is watching snow tumble down outside from within a hospital room. Leaving that kind of space in haiku is important. In fact, it’s an unspoken rule to try to leave out something when composing haiku.

As Hifsa pointed out, “pale” has many connotations. In a way, it personifies the snow and tricks us into thinking that maybe even the snow is sick. It also gives a sense that the snow is partaking in the experience of the poet or narrator.

There is an idea of purity being implied here as well. Snow is usually bright white, especially winter snow. The haiku could be conveying that the hospital pillow, though artificial, shines in its whiteness more than the snow. This provides the feeling of coldness and of perhaps death. The imagery also suggests that we have made a world where human-made things are now more “pure looking” than nature itself.

In terms of sound, the two “p”s pop out and so do the “l”s and “o”s. Christina’s work is commonly extraordinarily musical. The “p” sounds perhaps emphasize the stark nature of the scene, whereas the “o” sounds slow down the pace and mirror the solemn tone of the poem. The “l”s just make the haiku sound better, in my eyes.

For the format, we have the usual short line/long line/short line form. That tried and true pacing works great for the content.

A haiku with notions of purity, artificiality versus nature, and life and death intermixed. Another strong haiku from a contemporary master of the form.

Nicholas Klacsanzky (USA)

Did you enjoy this poem and commentary? Please leave us a comment if you did.

dissnowsumi

Photograph by © David Hutchison