Alan Summers’ Juniper

juniper the tether end of larksong

© Alan Summers (UK)

(Poetry & Place anthology issue 1 ed. Ashley Capes and Brooke (Close-Up Books, April 2016)

I really love the imagery of the juniper and larksong. Larksong itself is a strong image created by fusing a visual and audible image!

The brevity of the poem makes it very direct, but I feel there is much more to it than can be seen at first glance…

…It took me a few reads to see what is going on, but I can see how the wonderful song of the bird is drawing the observer/reader in close, like the juniper berries are drawing in the lark. The song is making the observer/reader take a look at the natural scene—beyond the everyday view, deep into a wondrous microcosm, a symbiosis of the bird and tree, the bird eating the berries, spreading the juniper seeds through its faeces.

The juniper bush also reminds me of a funny scene from the movie “Monty Python’s Life of Brian,” where it is the only means of food for a recluse who has taken a vow of silence.

Brian is fleeing from an unwanted following of fanatics looking for a savior and arrives on a mountaintop. He falls into a recluse’s hole, hurting the man’s foot. The man shouts out in pain, cussing about breaking his 5-year silence. But soon, he starts singing, as he might as well. Brian is trying to keep him quiet so his following doesn’t find him, but to no avail of course.

When the mob arrives and they hear what has happened, they decide it is a miracle performed by Brian. Soon though, they wonder why there savior “led” them to the mountaintop where there is no water or food.

Then Brian points out a nearby juniper bush and its presence is declared another miracle!

The scene ends with the recluse fighting Brian’s following over the juniper bush.

I guess the point being that the recluse’s voice led the group to discover the juniper bush, like the lark’s song draws us into the haiku moment.

Michael Smeer (Netherlands)

There have been some eastern poems about drinking, but they were not corrupted. They look like saintly poems. I think that this author drank the gin “juniper” to the limit “tether” until morning when the larks were singing—but heaven’s gate closed, because the larksong ended.

Bad habits will make you lose your mind, and it will be its own tether. Maybe we think that the past drunkard poets as saintly because they stand far from power. They say Santoka was always drinking, but his haiku is popular now.He wrote many haiku, begging and drinking while he was wandering. I think there isn’t a commonality between this author’s life and Santoka’s life, but they can’t stop drinking to their dream.

– Norie Umeda (Japan)

I imagine this juniper as an old, dying, or felled tree. Lark sparrows (based on what I have read) tend to favor more open grassland. Could it be that the bird is singing a happy song?

Alternatively, the tendency in places to plant and save more juniper trees (ecotourism) means the larks in those areas are in decline. In this case, could it be that the bird(s) is singing a sad song?

Thirdly, if we define juniper as an evergreen (from the Latin, junniperus) the youthful image that arouses contrasts with “the tether end of larksong” which one could imagine meaning that the birds are getting ready to migrate, taking with them their beautiful sing-song. Does it mean winter is on the doorstep?

Lastly, in certain countries, poachers trap birds (including larks) and eat them. I can picture a bird glued (birdlime) to a branch. It’s a slow death and would surely provoke a heart-breaking song. I am not sure larks are trapped in that way (they nest near the ground) but the image jumped into my mind.

– Corine Timmer (Portugal)

The juniper has distinctly sharp shoots and often the shape of the tree itself forms to one side, and I think comparing it to the “tether end of larksong” is a fine association. Besides showing an intriguing connection, I believe the image brings the reader to a state of mental silence, watching the lark’s song in its last sound.

Juniper berries are a summer kigo, or seasonal reference. The call of the lark is reflective of summer, in my eyes, as it has an uplifting and energetic resonance. The juniper is also reflective of summer, with its sharpness matching the blaze of summer heat.

The “r” sounds in this monoku also associate with the call of the lark in its curved song.

You can easily feel the moment of the haiku when you read it, and it brings one peace and introspection.

– Nicholas Klacsanzky (Ukraine)

Did you enjoy this haiku and commentary? Let us know in the comments.

7 thoughts on “Alan Summers’ Juniper

    1. Fingers crossed again. :-) Yesterday’s comment did say “Your comment is awaiting moderation” so hopefully this will be live. If so, then we can delete our above comments. :-)

      warm regards,
      Alan

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  1. Alan’s commentary

    The inspiration behind the poem, and links to more deeply explain this very particular English verse:

    Skylarks are quintessential England and the essence of a season:
    The “Sound of Summer”, the beautiful distinctive call of native skylarks.

    The Skylark:
    http://www.highfell.org.uk/index.php?option=com_zoo&task=item&item_id=54&category_id=13&Itemid=79

    The Lake District of Cumbria (England, U.K.)
    https://en.wikipedia.org/wiki/Lake_District

    Junipers in Cumbria:
    https://www.bbc.co.uk/news/uk-england-cumbria-13015462

    The Lark Ascending – poem by George Meredith
    https://en.wikipedia.org/wiki/The_Lark_Ascending

    Ralph Vaughan Williams – The Lark Ascending

    juniper the tether end of larksong
    © Alan Summers (UK)

    Poetry & Place anthology issue 1
    ed. Ashley Capes and Brooke Linford (Close-Up Books, April 2016)

    The verse was specifically written for Ashley Capes and Brooke Linford for the above anthology:

    Thank you Michael, for your comments. Yes, we all too often go for just a visual image and forget about the other senses, so scent (juniper); texture (tree bark); and the expanse of landscape, and of the Skylark in its mostly sky element when singing, although occasionally they sing from the ground, by a tree, or on a branch.
    I agree, it’s all about the poetry of the place, the important nature of a landscape, its essence, and the cycle of growth, decay, and renewal.

    Dear Norie,
    Yes, it’s intriguing that juniper is so closely related to the making of the alcoholic drink called Gin.

    I love this phrase from you!

    “…heaven’s gate closed, because the larksong ended.”

    Sad to say, I was very sober, even at the wonderful pubs, I didn’t overdo any alcoholic drinking. I guess because it was, embarressingly, my first visit to the Lake District! And my wife’s family have climbed every peak over many years, and have known the landscape from childhood.

    Dear Corine,
    You are right, the juniper trees are very old, see the link above. The skylarks are sadly in decline because of the shift in farming practices leaving no stubble etc… during the Summer. The skylarks in Britain are residential but vulnerable to changes to commercial farming. Thank you so much for your willing to spend time on a commentary. The birds are in deep decline, but not so much direct hunting, as our avariousness for mass produced supermarket products. We are leaving our roots in nature and landscape behind in the pursuit of plastic covered food.

    Dear Nicholas,
    Thank you! Yes, the juniper trees are often leaning as in a tug-of-war tussle with the sky, and the song. The song of the bird, and the music of Ralph Vaughan Williams for The Lark Ascending are strongly reminiscent of England in older, peaceful agrarian times, when daily life appeared simpler somehow. It is very much a celebration of place, and of wild landscape in particular, which is not restricted just to ‘the land’ only as the sky is very much part of place and landscape. I hope to go back one day.

    warmest regards, and gratitude,
    Alan

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